FAIRYTALE COSTUMES: it's giving renfaire but why?

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⏭Click here https://bit.ly/HELLOMINA and get 65% off your HelloFresh order with my code HELLOMINA if you’re in the US but wherever you’re watching from you will also get a very special discount as it’s valid internationally!📦 PODCAST Spotify: https://open.spotify.com/show/3wvGhhd3yGEJhak11myA5N Apple Podcasts: https://podcasts.apple.com/us/podcast/high-brow/id1677209917 for extra content every Wednesday 😈 SUPPORT Newsletter: https://gremletter.substack.com/ Donate: https://ko-fi.com/minale SOCIALS Instagram: http://instagram.com/gremlita TikTok: https://www.tiktok.com/@gremlita Letterboxd: http://boxd.it/7YgX Tumblr: https://horsegir1.tumblr.com/ business email: [email protected] PRODUCTION Written by Mina Le and Sophie Carter Edited by Israh S. and Mina Le SOURCES Reconsidering the Use of Gender Stereotypes in Medieval Romance: figures of vulnerability and of power,” Lawton (2016) https://journals.openedition.org/miranda/8646 “Emprise de l'Escu vert à la Dame Blanche” https://en.wikipedia.org/wiki/Emprise_de_l%27Escu_vert_%C3%A0_la_Dame_Blanche; citing “The Knights of the Crown: The Monarchical Orders of Knighthood in Later Medieval Europe, 1325-1520,” Jonathan Boulton (2000) “Reconsidering the Use of Gender Stereotypes in Medieval Romance: figures of vulnerability and of power,” Lawton (2016) “Were the peasants really so clean? The Middle Ages in film” Austin, Greta. (2002) https://www.jstor.org/stable/pdf/3815616.pdf?refreqid=excelsior%3A7420ffc366ec3bc21eb98f7beea60995&ab_segments=0%2Fbasic_expensive_solr_cloud%2Fcontrol&origin=&initiator=&acceptTC=1 “Unhappily Ever After: How Women Became Seen but Not Heard in our Favorite Fairy Tales,” Maddie Crum https://testkitchen.huffingtonpost.com/grimm/# “Feminism and fairy tales,” Karen E. Rowe (2010) https://www.tandfonline.com/doi/abs/10.1080/00497878.1979.9978487 The Disney Middle Ages: A Fairy-Tale and Fantasy Past, Kari Maaren (2016) Ch. 10 https://www.proquest.com/docview/1795938479 “Women’s Clothing of the Fourteenth Century,” Claire Knudsen-Latta https://medievalhomecompanion.files.wordpress.com/2016/08/women-clothing-10072016.pdf http://www-personal.umd.umich.edu/~cfinlay/sumptuary.html “Illuminating Fashion: Dress in the Art of Medieval France and the Netherlands,“ The Morgan Library & Museum https://www.themorgan.org/collection/Illuminating-Fashion “Transitional Hennin,” Grace Amundsen Barnkow https://athenaeum.baronyofmadrone.net/exhibits/transitional-hennin/ “Government regulation of dress,” Elizabeth Prine Pauls https://www.britannica.com/topic/dress-clothing/Government-regulation-of-dress https://study.com/academy/lesson/medieval-romance-literature-definition-characteristics-novels.html#:~:text=Lesson%20Summary-,Medieval%20romance%20literature%20is%20a%20literary%20genre%20comprised%20of%20fictional,on%20the%20same%20frame%20story https://www.oxfordbibliographies.com/display/document/obo-9780199846719/obo-9780199846719-0115.xml “Designing Fear: Bela Lugosi’s Dracula,” Elizabeth Joy Glass (2020) https://theartofcostume.com/2020/10/13/designing-fear-bela-lugosis-dracula “The Dracula Image,” Stanley Stepanic (2019) https://engagement.virginia.edu/learn/2019/10/28/the-dracula-image “High Collar of Doom” https://tvtropes.org/pmwiki/pmwiki.php/Main/HighCollarOfDoom https://hindmanauctions.com/new-noteworthy/yves-saint-laurents-peasant-collection-in-search-of-the-eternal-present 0:00 - intro 3:40 - what makes a fairytale film? 11:58 - the heroines' wardrobe 18:16 - the villainess' wardrobe