It's a difference of opinion, Temperatures versus Values, Zoran versus Sorolla. Just Think About IT
Stefan Baumann
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Watch Plein Air, Alla Prima, Artist Stefan Baumann, Artist of Americas National Parks Demonstrate how to paint on location using color, composition, value and brushstrokes. Stefan Baumann believes that “Anyone can learn how to paint; all it takes is desire.” He has been an artist and is an oil painting instructor for the past 35 years and has taught the fine art of oil painting to enthusiastic art students in the San Francisco Bay Area as well as in Southern Oregon, and in Northern California. He says that artists who paint from life, which includes still life painting in a studio and plein air painting on location, have a distinct advantage when creating original artwork because they can paint what they see and feel as they apply their paint to a canvas. This personal experience with the subject is not possible when copying another work or painting from the limited image of a photograph. Plein air painting utilizes a painting application technique called “alla prima,” or wet o
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Stefan Baumann’s exploration into the interplay of temperature and value offers an insightful comparison between the works of Zoran and Sorolla, emphasizing their distinct artistic approaches and philosophies. At the core of this study lies the fascinating contrast between Zoran’s focus on value and Sorolla’s nuanced understanding of temperature and color. Zoran’s paintings are anchored in the realm of value, where the gradations of light and dark define form, volume, and emotional impact. His method reveals a composition built primarily on contrasts in luminance, using monochromatic or subdued palettes to emphasize the structural integrity and the tonal relationships within the image. In this context, the highlights tend to be cool while the shadows shift toward warmth, challenging conventional expectations and inviting viewers to reconsider the roles of temperature in visual storytelling. This inversion creates a subtle tension and adds depth to the otherwise value-driven framework. In contrast, Sorolla’s work is a masterclass in the manipulation of temperature through color, capturing the essence of natural light and atmosphere with vibrant, sun-drenched palettes. His paintings exemplify an acute sensitivity to the effects of light as it interacts with surfaces, water, skin, and fabric, translating these observations into radiant compositions that pulse with warmth and vitality. Sorolla’s ability to represent the temperature of color positions his work firmly within the tradition of impressionistic color theory, where cool and warm colors evoke emotional responses and spatial dynamics. The difference in how these artists treat highlights and shadows reveals their divergent views on the importance of temperature versus value. Sorolla’s highlights often glow with a warm intensity that conveys sunlight and heat, while his shadows cool down, creating a dynamic spatial temperature contrast that resonates with the natural environment. Zoran, on the other hand, subverts this pattern, with cool highlights and warm shadows, emphasizing tonal relationships instead of color temperature. This inversion invites an alternative reading of light and form. Focusing on particular periods or artworks helps to crystallize these distinctions. Zoran’s value-centered approach can be observed in his more monochromatic and structurally rigorous compositions, where careful modulation of light and shadow builds form without relying heavily on chromatic variety. Sorolla’s later works, especially his beach scenes and portrayals of sunlight on water, exemplify his full command of temperature and expressive color, marked by bold brushwork and a joyous luminosity. The tone of this exploration is one of respectful dialogue rather than opposition, highlighting how these two perspectives—value-based structure and temperature-based color—represent different but complementary ways of understanding and portraying light. The “difference of opinion” is less a conflict and more an opportunity to appreciate the rich diversity in artistic methodologies and the multiple layers of meaning that temperature and value add to visual expression. Ultimately, this comparison underlines the unique strengths and intentions behind each artist’s approach, inviting viewers and readers alike to engage more deeply with the subtle interplay between temperature and value in painting. It encourages an appreciation for how both artists, through their contrasting methods, contribute to a greater understanding of light, form, and color in art. Have me as a private weekly coach to give you advice and mold and shape you to become a master artist by calling me at 415-606-9074 Yes it is my cell number and I do answer it! Join my Patreon by going to https://www.patreon.com/StefanBaumann The paintings of Stefan Baumann reveal the true spirit of nature by transporting the viewer to distant lands that have gone unseen and undisturbed. With the huge success of Baumann’s weekly PBS television series “The Grand View: America’s National Parks through the Eyes of an Artist,” millions of people witness for themselves the magic Stefan portrays on canvas, his passion for nature and the American landscape. By distilling his love of nature into a luminous painting of brilliant, saturated color that transcends conventional landscape and wildlife art, Baumann has captured the hearts and imaginations of a generation. Each painting becomes an experience rather than merely a picture – a vivid manifestation of his special and personal union with nature and the outdoor world. Through his mastery of light, color, and artful composition, Baumann invites you to experience nature in its purity. It is no wonder that for many years distinguished American collectors, including former presidents and financial icons, have sought out his work.
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