Fleabag is Not a Femcel
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Get a whole month of great cinema FREE on MUBI: https://mubi.com/broeydeschanel Follow and support the channel! Patreon: https://www.patreon.com/broeydeschanel Instagram: https://www.instagram.com/broey_deschanel/ Twitter: https://twitter.com/DeschanelBroey Thumbnail by Hannah Raine: https://www.instagram.com/hannahmraine/ Rehash Podcast and Patreon: https://anchor.fm/rehashpodcast https://www.patreon.com/rehashpodcast SOURCES: Ameeriali, “The destructive force that is ‘dissociative feminism’” The Social Talks (2022). Phoebe Waller-Bridge, “Fleabag: The Original Play” Playwrights Canada Press (2016). Emmeline Clein, “The Smartest Women I Know Are All Dissociating” Buzzfeed News (2019). Emma Garland, “Enter the Fleabag era: What does it mean to be a ‘dissociative feminist’?” Dazed (2022). Helen Lewis, “The Nostalgic End of Fleabag: As the groundbreaking show concludes with a final theater run in London, audiences are left to grapple with its meaning” The Atlantic (2019). Rebecca Liu, “The Making Of A Millennial Woman”, Another Gaze (2019). Linda Nochlin, “Why Have There Been No Great Women Artists?” ARTnews (1971). Sophia Peyser, “The “Fleabag” Era of Dissociative Feminism Must End” Lithium Magazine (2022). Ayesha A. Siddiqi, “Memento Millenial” Substack (2022).
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