Saltburn: The Tumblr-ification of Cinema
Broey Deschanel
@broeydeschanelAbout
Welcome to my channel! I post monthly videos on a mixture of film analyses, retrospectives, politics and just absolutely overthinking anything to do with pop culture. Spoiler warnings are placed on videos that discuss shows/movies with a twist, recent shows/movies, or shows/movies that aren't the subject of the video. If you're watching a video about a show/movie that is over a decade old, very famous in pop culture, and the subject of my video - then please watch at your own discretion. My business email is linked on this page. Please be mindful that I receive a great number of requests for academic interviews, reviewing or promoting films (particularly student films), and guest speaking on podcasts. I try my best to respond to these inquiries - but I cannot commit myself to all of them, so I have to be sparing. This does not reflect on the quality of your research, film, or podcast - and more so that I don't want to spread myself too thin! Apologies if I don't get back to you!
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Compare news coverage. Spot media bias. Avoid algorithms. Try Ground News today and get 40% off your subscription by going to https://ground.news/broeydeschanel Saltburn (or, the Untalented Mr. Ripley) is a deeply unoriginal piece of filmmaking. What does it say about our culture today? Follow and support the channel: Patreon: https://www.patreon.com/broeydeschanel Instagram: https://www.instagram.com/broey_deschanel/ Twitter: https://twitter.com/DeschanelBroey SOURCES: Peter Bradshaw, “Review: The Talented Mr. Ripley”. The Guardian (2000). Richard Brody, “”Saltburn is a Brideshead for the Incel Age” The New Yorker (2023). David Carr, “Anthony Minghella, 54, Director, Dies” The New York Times (2008). Patrick Cremona, “Emerald Fennell plays down Saltburn's Talented Mr Ripley comparisons” Radio Times (2023). Roger Ebert, “The Talented Mr. Ripley”, Roger Ebert (1999). David Edelstein, “How (and Why) Anthony Minghella’s Talent Wasn’t Quite Fulfilled” New York Magazine (2008). Mark Harris, “Honoring Anthony Minghella” Entertainment Weekly (2008). Mario Falsetto ed. Anthony Minghella: Interviews, University of Mississippi (2013). Todd McCarthy, “The Talented Mr. Ripley”, Variety, (1999). Janet Maslin, “‘The Talented Mr. Ripley’: Carnal, Glamorous and Worth the Price”, The New York Times (1999). Craig McLean, “Emerald Fennell on our “sadomasochistic relationship with the aristocracy”” The Face (2023). Craig McLean, “Saltburn’s cultural blueprint: the books, films and music that inspired the film” The Face (2023). Adam Nayman, “‘Saltburn’ is stylish but shallow, like a subpar ‘White Lotus’ episode” The Toronto Star (2023). Terence Patrick Murphy and Kelly S. Walsh “Coincidence and Counterfactuality: The Multiple Plot Structure of The talented Mr. Ripley (1999)” Film Criticism, Vol. 42, No.1 (2018). Anna Pochmara, “I Don’t Think I Have an Attention Span for Real Life Anymore”: Excessive Stimulation, Sense of Meaninglessness, and Boredom in Sam Levinson’s Euphoria,” European Journal of American Studies, vol. 7 (4) (2022). Frank Rich, “The Talented Mr. Minghella”, The Guardian (2000). Charles Taylor, “The Talented Mr. Ripley” Salon, (1999). Michael Trask, “Patricia Highsmith’s Method”, American Literary History. Vol. 22, No. 3 (Fall 2010). Kelley Wagers, “Tom Ripley, Inc.: Patricia Highsmith’s Corporate Fiction”, Contemporary Literature, Vol. 54, No. 2 (2013).
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