23. iPhone Anamorphic: Shooting Cinematic Quality from your iPhone

Video Description

Would you believe that its possible to shoot anamorphic on an iPhone? Would you believe it could be done for less than $3k? Your comments inspired what you're about to see. There's so much that goes into creating a beautiful cinematic image besides what camera is used on set, and we really wanted to push the limits of new tech in a way that hasn't really been done before. We put the gear together, built the set, and put the iPhone to the test. Learn all about how we did it, the cost of every piece, and more about what it takes to create a successful image. Ask your questions and let us know if YOU would try this in the comments! Subscribe and stay in the know about our experiments with new tech. We can't wait to show you more. 0:00 Intro 0:34 How to make the iPhone look cinematic 0:45 iPhone 15 with the Blackmagic App 01:18 iPhone 15 + Atlas Anamorphic Lens 01:40 iPhone and Atlas Anamorphic Lens Comparison 2:27 iPhone Geometric Properties 2:38 iPhone vs. Anamorphic Lens Sharpness Comparison 2:52 Vignette Comparison 3:04 EP 18 AI Depth of Field 3:27 Our Cinema iPhone Rig 4:17 Our Budget iPhone Rig 4:41 The iPhone Anamorphic Rig 5:08 How we built it 5:15 iPhone 15 Pro Max 5:32 Beastgrip Beastcage for iPhone 15 Pro Max 5:49 Beastgrip Side & Top Handle 6:01 Beastgrip Lens Adapters 6:08 Beastgrip Lenses 6:16 Beastgrip Anamorphic Lenses 6:39 SmallRig Universal Holder 6:45 Refers USB-C 90 Adaptor 6:54 Sabrent Nano Rocket 2 SSD Hard Drive 7:38 The Best Lens on the iPhone 8:07 Just Shoot on a Cinema Camera 8:55 What makes a cinema camera? 8:58 Cinema Resolution 9:05 Intraframe encoding 9:21 High Dynamic Range 9:29 Wide Cole Gamut 9:40 Removable Lenses 10:16 How to make a Bigger Sensor: Ground Glass 10:40 Beastgrip Depth of Field Adaptor 11:35 Fotodiox EF to PL Adapter 11:41 Atlas Mercury Anamorphic Lenses 12:31 Tilta 4x5 Clip On Mattebox 12:42 iPhone Anamorphic Rig Cost 13:45 Drawbacks to using Ground Glass 14:49 The World’s Smallest Cheapest Lightest 4K ProRes Anamorphic Recording Camera System Director: Michael Cioni DP: Shannon Stutenroth Producer: Pete Cioni Line Producer: Margot Bradshaw Production Designer: Amalia Romploulias Editor: Andrea Otto Motion Graphics: Andre Castro Colorist: Nick Lareau Gaffer: Jacob Abrams Key Grip: Nick Lundstrom Swing: Ryan A. Hueter Sound: Fletcher Alliston Leadman: Roman Salcedo Art Assistant: Jordan Stringfield Camera Operator: JP Dellanno 1st AC: Amritha Mary 2nd AC: Martin Velasquez BTS Video: Clyde Bessey BTS 1st AC: Tyler Beckerman BTS Photographer: Lorelei Rubik ________________________ SPECIAL THANKS TO Dan at Atlas Lens Co Beastgrip ________________________ FOLLOW OUR JOURNEY Instagram ►► https://bit.ly/44yFDOB TikTok ►► https://bit.ly/3Z7hlKv Threads ►► https://bit.ly/3sw7hhV LinkedIn ►► https://bit.ly/3Z1LfQe Join The Beta ►► https://strada.tech #workflow #strada #postproduction #ai #iPhone #shotoniphone #blackmagic #blackmagicapp #cinemacamera #budgetfilmmaking #filmschool #editing #futurefilmmaking #8k #4k #beastgrip #atlaslenses #atlasmercury #anamorphic #editingvideo #cinematographer #director #directorofphotography